The best way I would imagine a film about my home
community would be a collective effort. Historical contextualization is
important. I imagine old images of the neighbourhood juxtaposed against current
footage. The moving image would reflect the present-day context of the
neighbourhood, and the stills would show the historical context from which it
is built. The present must be contextualized as it is shaped by the past.
Interviews with citizens, while personal, would add an emotive dynamic to the
representation. In its inclusion of personal memory, the documentary would gain
sensory elements to its audio-visual medium. Perhaps citizens could create and
contribute imagery such as home videos, personal photos or art pieces.
Anyone
who contributes their texts must be involved or in charge of editing the
segments which include those pieces. Unfortunately this may create a
class-divide to those in the community who have, or have had, access to
recording technology. I imagine citizens of the community on both ends of the
lens: as the creators and subjects of the film. Community members would
interview one another all within the frame (no unseen voice-overs). I would
avoid unseen voice-overs and invisible creators in order to destabilize the
power dynamic of representation. The film would use only diegetic sound. This
would be difficult to put together so collectively, however those who
contribute will be reflexive in their participation on both ends of the lens.
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